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The Fisher King and the Handless Maiden: Understanding the Wounded Feeling Function in Masculine and Feminine Psychology, by Robert A. Joh
PDF Ebook The Fisher King and the Handless Maiden: Understanding the Wounded Feeling Function in Masculine and Feminine Psychology, by Robert A. Joh
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It is very dangerous when a wound is so common in a culture that hardly anyone knows there is a problem. Such is the case right now with our wounded feeling function- our inability to find joy, worth, and meaning in life. Robert A. Johnson, the celebrated author of 'He, She', and 'We', revisits two medieval tales and illuminates how this feeling function has become a casualty of our modern times.
Johnson tells the story of the Wounded Fisher King from the Grail Myth to illustrate the anxiety and loneliness that plague men. From the folktale of the Handless Maiden, he explains the very different frustrations of women and describes how these disparities in the way we suffer account for much of the tension and miscommunication between men and women. His insightful analysis shows that these two stories, created centuries ago, are even more relevant today.
Robert A. Johnson, a noted lecturer and Jungian analyst, is also the author of 'He, She, We, Inner Work, Ecstasy, Transformation', and 'Owning Your Own Shadow'.
- Sales Rank: #133609 in Books
- Brand: Johnson, Robert A.
- Published on: 1995-04-15
- Released on: 1995-04-15
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .29" w x 5.31" l, .25 pounds
- Binding: Paperback
- 128 pages
From Booklist
Johnson, whose work will already be familiar to those interested in Jungian thought, specializes (as in his three books He, She, and We) in applying Jung's theories to the relations between men and women. In this slender book, he mines two important tales for what they can tell us about feeling not simply emotion but a grounded sense of values. Everyone in our culture, he argues, is "wounded" in the area of feeling, but the wound is expressed differently among men than among women. To understand the male problem, he examines the figure of the Fisher King from the Grail legends; to understand women's relationship to feeling, he explores the famous folktale of the Handless Maiden pledged to the devil by her own father. A solid contribution to Jungian thought. Pat Monaghan
Review
"Incisive, stark, healing. . . . .In his unique style, Robert Johnson identifies wounded feeling in the heart of contemporary society and, through two powerful tales, points the path to healing."--Marion Woodman, author of "Leaving My Father
About the Author
Robert A. Johnson, a noted lecturer and Jungian analyst, is also the author of He, She, We, Inner Work, Ecstasy, Transformation, and Owning Your Own Shadow.
Most helpful customer reviews
59 of 60 people found the following review helpful.
Healing the wounded feeling function
By Michael P. McGarry
"This book is about our wounded feeling function, probably the most common and painful wound which occurs in our Western world. It is very dangerous when a wound is so common in culture that hardly anyone knows there is a problem." Johnson opens his book with these provocative sentences. The first thing he does is convince the reader that the problem exists, and is of considerable scope. For example, our modern English language is not really adequate for a full description of the problem, having the vague and much abused word "feeling" and only one word, equally vague, for "love". Johnson, a Jungian analyst, explores the problem using myths -- the Fisher King and the Handless Maiden, to demonstrate the wounded feeling function in, respectively, masculinity and femininity. Through the myths, Johnson not only diagnoses the problem, but makes practical suggestions for healing. This wonderful little book, scarcely 100 pages long, can be read in an afternoon, although its insights could change the directions of a life.
40 of 43 people found the following review helpful.
A must read, with reservations...
By Quiet Traveller
I purchased this book because the Handless Maiden myth resonates for me, my having first been introduced to it through a dream and then through Clarissa Pinkola Estes book 'Women Who Run With Wolves'. I felt I had more to learn from this myth, and Johnson's book put the Handless Maiden myth in a matrix that helped me to understand it more personally, as a metaphor for the feminine in contemporary society. Placing it in a context I could understand so well brought this myth to life, and was the greatest value of this book for me.
The only off-putting thing, which changed it from 5 to 4 stars, is a small thing but which strikes to the heart of the issue. The author apologised in the beginning for perhaps not being able to do justice to the feminine wounding myth as much as the male myth. It was honest and ethical of him to state such concerns, which makes me respect his integrity, but he is alas, correct. As wonderful as his assessment of the Handless Maiden is, he still put a great deal of emphasis on the male value and aspects of it, which he did very little in reverse for the male Fisher King myth. The section in The Handless Maiden where he abandons such careful integrating of the masculine is the section which resonated most for me. I'm not sure why he did this, but if one goes through both chapters and counts instances of other-gender applicability you'll see what I mean. In one paragraph I almost felt like this myth was being ripped from my "hands" and given to the male, a dynamic of the actual myth.
Nevertheless, the author put the myth into a powerful and broad matrix of understanding for contemporary women, something which 'Women Who Run With Wolves', as much as I love it, didn't allow me to see as clearly. What I would suggest is first reading Johnson's book, and saving Clarissa Pinkola Estes interpretation for last, when you can appreciate it more, in all its profound and subtle complexity.
9 of 10 people found the following review helpful.
Profound and prescient
By reader
I have read this book twice, with many years in between.
In my youth, I thought Robert Johnson understood the myth of the Fisher King exceptionally well, but did not really understand the handless maiden. I attributed this to his gender bias, which he mentions at the beginning. He understands men better than women, from personal experience. I re-read the book again recently. I have been researching sexism, and I now understand things I simply was not aware of before. This time when I read the handless maiden myth, I was astounded. One of the things Robert Johnson talks about are the silver hands the king has made for the maiden. This is a metaphor for technology! And I was previously so enamored of technology that I could not even see the metaphor.
The highlights of the book are Johnson's re-interpretation of foundational mythology.
In the Fisher King, he tells the story of a king who is wounded in his feeling function. In modern terms, we would say he is damaged in his ability to experience emotions -- to relate to other people. He has respite from his pain only when he is fishing, hence the name. He lives in the castle of the holy grail. Direction to the castle are critical: the fisherman tells Parsifal (the youthful hero of the myth) that he should go "just down the road a little way, turn left, cross the drawbridge, and you will be my guest tonight." Johnson interprets these directions for us. "The specific instructions are to go down the road -- whatever road one is involved with at the moment -- turn left, which is to say go toward the unconscious or the world of imagination and fantasy, cross the drawbridge -- the division between our conscious world and the inner world of imagination -- and one will be in the grail castle, the miraculous place of healing." The book Johnson wrote -- all his books in fact -- are verbal guides to this process.
The story of the handless maiden is about a young girl whose hands were cut off as a consequence of her father's unwitting bargain with the devil. In modern terms we would say she is denied agency, just as men are denied emotional connectivity. But the story is so much more than that! A king falls in love with her and marries her. He had silver hands made for her, and these hands are widely admired in court. The silver hands stand for the technology we use as a barrier between ourselves and our deep persona -- specifically that place that is "down the road a little way, turn left, cross the drawbridge". The agency the maiden particularly lacks is the agency to access this process. She, like many modern people, relates more closely to her iPhone than to her companions. Silver-handedness is unbelievably attractive, even addictive. (Johnson wrote this book in 1993, so his illustration of silver-handedness is more mundane: a lavish hotel with silver dinnerware and fawning servants. Johnson would have recognized our current technology as more a more telling example.)
Johnson mentions that Jung was asked "Will we make it?" -- meaning will we survive as a civilization. Jung replied "Only if enough individuals do their inner work."
This book is a part of that inner work.
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