Senin, 31 Mei 2010

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Multiple Choice Questions on Renewable Energy, by Arun K Tripathi

Multiple Choice Questions on Renewable Energy contains over 1500 multiple choice questions covering various sectors of renewable energy, including solar, wind, biomass, biogas, biofuels, hydro, energy from wastes, hydrogen, geothermal, ocean, tidal, and waves. The book has three levels of questions, ranging from school to graduate level. A comprehensive overview of renewable energy development in India has also been presented. 

Key Features:

  • The book presents multiple choice questions that will be useful for students who are preparing for entrance examinations.
  • Different levels of multiple choice questions help students self evaluate themselves.
  • There are exercises as well.
  • The book will be useful in quiz competitions also.
  • Questions have been framed in such a way that they cover the development of renewable energy in India

Contents:   

  • Renewable energy development in India
  • Quiz on renewable energy
  • Renewable energy exercise- Level 1
  • Multiple choice questions
  • Rapid fire questions
  • Renewable energy exercise - level 2
  • Multiple choice questions
  • Rapid fire questions
  • Miscellaneous questions on renewable energy

  • Sales Rank: #8977488 in Books
  • Published on: 2007-12-01
  • Original language: English
  • Dimensions: .0" h x .0" w x .0" l, 1.10 pounds
  • Binding: Paperback
  • 196 pages

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[T233.Ebook] Ebook Iranian Cinema in a Global Context: Policy, Politics, and Form (Routledge Advances in Film Studies)From Routledge

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Iranian films have been the subject of much critical and scholarly attention over the past several decades, and Iranian filmmakers are mainstays of international film festivals. Yet most of the attention has been focused on a small segment of Iranian film production: auteurist art cinema. Iranian Cinema in a Global Context, on the other hand, takes account of the wide range of Iranian cinema, from popular youth films to low budget underground films. The volume also reassesses the global circulation of Iranian art cinema, looking at its reception at international festivals, in university curricula, and at the Academy Awards. A final theme of the volume explores the intersection between politics and film, with essays on post-Khatami reform influences, representations of ineffective drug policies, and the representation of Jewish characters in Iranian film. Taken together, the essays in this volume present a new definition of the field of Iranian film studies, one that engages global media flows, transmedia interaction, and a heterogeneous Iranian national cinema.

  • Sales Rank: #6868582 in Books
  • Published on: 2014-09-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.10" l, .0 pounds
  • Binding: Hardcover
  • 270 pages

Review

"Highly original and timely, this book helps us understand Iranian cinema from many perspectives. The authors in this volume don’t shy away from the most difficult questions that have arisen in the past few decades, and seek to complicate received discourses about Iranian film." -- Pardis Mahdavi, Pomona College, USA

About the Author

Peter Decherney is Professor of Cinema Studies and English and Director of the Cinema Studies Program at the University of Pennsylvania. He is the author of Hollywood’s Copyright Wars: From Edison to the Internet and Hollywood and the Culture Elite: How the Movies Became American.

Blake Atwood is an Assistant Professor in the Department of Middle Eastern Studies at the University of Texas at Austin. He is the coordinator of the Persian Language Program and an affiliate of the Program in Comparative Literature.

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Kamis, 27 Mei 2010

[I551.Ebook] PDF Ebook Art for Art's Sake and Literary Life: How Politics and Markets Helped Shape the Ideology and Culture of Aestheticism, 1790-1990 (Stages)

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Art for Art's Sake and Literary Life: How Politics and Markets Helped Shape the Ideology and Culture of Aestheticism, 1790-1990 (Stages)

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Art for Art's Sake and Literary Life: How Politics and Markets Helped Shape the Ideology and Culture of Aestheticism, 1790-1990 (Stages)

Art for Art’s Sake and Literary Life is a history of literary aestheticism from the eighteenth century to modern deconstruction. Gene H. Bell-Villada examines writings by critics, philosophers, and other writers from Europe, Latin America, and the United States. Uniting all is his conviction that “there are concrete social, economic, political, and cultural reasons for the emergence, growth, diffusion, and triumph of l’art pour l’art over the past two centuries.”

  • Sales Rank: #3714116 in Books
  • Brand: Brand: Bison Books
  • Published on: 1998-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .71" h x 5.42" w x 8.94" l, .92 pounds
  • Binding: Paperback
  • 342 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great, Informative, and enjoyable!
By Rosa M.
Art for Art's Sake and Literary Life: How Politics and Markets Helped Shape the Ideology and Culture of Aestheticism, 1790-1990 (Stages)

I discovered this writer when I was looking for opinions about the Nobel Prize Garcia Marquez, "Garcia marquez the Man and His Work," and I was fascinated for the accuracy about Colombian history and the way he related it with the author's life and ouvre.
Recently, curious to know what others books he had written; I found this one which catch my attention for its title, ART FOR ART'S SAKE, because it has been an old controversy.
The book includes two hundred years of philosophy, critic, literatura, and poetry in a rich account on the most brilliant exponents. Ranging from enlightment to Latin American literary Boom. Sometimes giving a litle touch on one of the personages, and other times giving a profound account of them because of its deep relation with the study he had in mind.
I greatly recommend this book because is richly informative and relaxing and enjoyable.

15 of 19 people found the following review helpful.
Great book with 2 major flaws
By ygrenier@stfx.ca
Elegantly written, thought-provoking, abrasive, and immensely informative, Bell-Villada's essay is nonetheless affected by two important flaws: its relative lack of focus, especially toward the end of the book, and its rigid application of a left v. right girdle. Bell-Villada obviously believes that the left is always good and progressive, with the possible exception of Joseph Stalin, whereas the right and the center are innately deficients, both morally and intellectually, for they either call for a return to the past or for a blind defense of the statu quo. The problem here is theoretical. Arguably, the milieu of artists is ill suited for this kind of Manichean mutilation. Many artists, in modern times, have adopted syncretic political dispositions comprising ingredients such as contempt for the statu quo and rejection of dominant values (especially utilitarianism), this leading them either to fascism or to bolchevism, with a great deal of transactions between the two (it is significant that Bell-Villada does not have much to say about Ezra Pound!). Most fascists were also revolutionary and anti statu-quo: in fact, many were attempting to revitalize socialism. Rather than using only "left v. right", Bell-Villada should have added other variables such as "romantic v. enlightenment" and "liberal v. anti-liberal", and use them all with a great deal of flexibility.

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Kamis, 20 Mei 2010

[W303.Ebook] PDF Download Management: A Systems and Contingency Analysis of the Managerial Functions (Management), by Harold Koontz, Cyril O'Donnell

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Management: A Systems and Contingency Analysis of the Managerial Functions (Management), by Harold Koontz, Cyril O'Donnell

  • Sales Rank: #13723681 in Books
  • Published on: 1980-04-01
  • Format: International Edition
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 850 pages

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Senin, 17 Mei 2010

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, by Diana Fuguitt - Cost-Benefit Analysis for Public Sector Decision Makers: 1st (first) Edition, by Diana Fuguitt

  • Published on: 1999-11-14
  • Binding: Hardcover

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Sabtu, 15 Mei 2010

[V334.Ebook] PDF Download Basic Animal Nutrition and Feeding, by Wilson G. Pond, David B. Church, Kevin R. Pond, Patricia A. Schoknecht

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Basic Animal Nutrition and Feeding, by Wilson G. Pond, David B. Church, Kevin R. Pond, Patricia A. Schoknecht

Basic Animal Nutrition and Feeding, by Wilson G. Pond, David B. Church, Kevin R. Pond, Patricia A. Schoknecht



Basic Animal Nutrition and Feeding, by Wilson G. Pond, David B. Church, Kevin R. Pond, Patricia A. Schoknecht

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Basic Animal Nutrition and Feeding, by Wilson G. Pond, David B. Church, Kevin R. Pond, Patricia A. Schoknecht

This fifth edition arms readers with the latest information on nutrient metabolism and the formulation of diets from an array of available feedstuffs. The authors discuss animals' role in ecological balance, environmental stability and sustainable agriculture and food production. A new chapter on the regulation of nutrient partitioning offers a lively and timely discussion of emerging technologies in modifying and increasing efficiency of nutrient metabolism and animal food composition. A new chapter on toxic minerals in the food chain addresses the role of agricultural production animal nutrition in protecting the environment from toxic levels of minerals and nitrogen in the food chain.

  • Sales Rank: #80654 in Books
  • Brand: Pond, Wilson G./ Church, D. C./ Pond, K. R., Ph.D./ Schoknecht, P. A., Ph.D./ Pond, Wilson G. (EDT)
  • Published on: 2004-12-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.10" w x 8.50" l, 2.76 pounds
  • Binding: Paperback
  • 608 pages

Most helpful customer reviews

10 of 10 people found the following review helpful.
New Edition Necessary
By Intuitimp
I am sorry to say that I am disappointed in this book. While other editions may have been better, this one is riddled with typos, grammatical errors, and disorganized chapters while fail to focus on the nutrition and feeding aspect of their sections.

7 of 9 people found the following review helpful.
Appendix version
By mischelly
All I can say is be careful when purchasing this book. My sister ordered this book and when the package arrived, it was the appendix version (gray cover) - Not the blue cover version of the book. So I ordered the book also to see if I would get the actual blue version of the book, and I got the appendix version too. So it ended up costing us money because we had to return it, and amazon doesn't have a selection for "not the book ordered"

2 of 2 people found the following review helpful.
School Textbook
By J. Clark
This is one of those textbooks that you'll keep long after the class is over - I was skeptical when I opened the book for the first time and realized that it was much more of a resource text than a traditional textbook, there are no pictures and the text is supplemented only with scientific tables and graphs. However, I realized that in the long run it would be much more useful! If you want a comprehensive overview of animal nutrition you really can't do better then ponds!

See all 18 customer reviews...

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Jumat, 14 Mei 2010

[B103.Ebook] Fee Download Drawing Perspective: How to See It and How to Apply It, by Matthew Brehm

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Drawing Perspective: How to See It and How to Apply It, by Matthew Brehm

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Drawing Perspective: How to See It and How to Apply It, by Matthew Brehm

Here’s a hands-on guide to perspective that’s for anyone who wants to draw or paint―in any genre or medium. It’s partly about learning how to draw a set of straight lines that meet at a point, but it’s not filled with lots of dull, dry theory (although it does explain how it all works). Instead, it gives you tons of fun, practical exercises, and encourages you to play with them, so that learning how to draw in perspective is effortless and easy. Put your observational skills to the test with:

  • Image Quizzes: take a pen and draw in all the vanishing points onto the book itself
  • Perspective Chambers: draw objects onto an existing scene, keeping it all in the right perspective―sort of like 3D doodling
  • Unique exercises with more than 100 vanishing points to figure out

By the time you’ve completed this book, you will have a keen understanding of how perspective really works. Plus, you’ll learn how to look at the world around you, see what’s really there, and spot where those invisible straight lines may be located. It will become like a sixth sense to you―one that will add depth and meaning to all of your artistic pursuits.

  • Sales Rank: #61041 in Books
  • Published on: 2016-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .40" w x 8.60" l, .0 pounds
  • Binding: Paperback
  • 144 pages

Review











From the reviews:


“This detailed yet comprehensive drawing guide accurately depicts the myriad applications of perspective through simple explanations and the extensive use of relevant graphics. It clarifies how perspective can be utilized as the underlying structure to an image and yield extraordinary results for both interior and exterior scenes, regardless of medium, subject matter or style. Techniques for observation and sketching to scale are a nice touch, as are specifics about delineating various geometric forms. Though anyone could improve their visual acuity with this user-friendly book, art students will find it indispensable.”
—San Francisco Book Review, www.sanfranciscobookreview.com



About the Author
Matthew Brehm is an Associate Professor of Architecture at the University of Idaho, where his teaching responsibilities include design studios, graphics courses, and an annual two-month study abroad program in Rome, Italy. Matthew was involved as a founding Board Member of Urban Sketchers and has presented workshops and lectures at several of the group’s International Symposiums. He is the author of Sketching on Location.

Most helpful customer reviews

25 of 25 people found the following review helpful.
Insightful and practical guide to perspective
By Parka
[[VIDEOID:3852ae90e1f8c4fbba4893be22d10e28]]There are many books on perspective drawing and each one caters to a different type of artist. For this particular book, I think it's targeted at people who draw on location because most of the examples featured are those drawn from location. However, you can use the concepts to create your own scenes and elements in perspective too.

The book covers five types of perspective, namely 1-point, 2-point, 3-point, multi-point and curvilinear. And lastly there's the workbook section with 32 pages of perspective grids for you to practice drawing on.

Each chapter is huge and is broken down into helping you identify the different types of perspective, understanding them, and how you can apply them yourself to your drawing. The instructions are clear and easy to follow. The writeup is informative and in depth. There are lots of wonderful illustrated examples contributed by artists over the world, included the author Matthew Brehm himself.

It's a practical guide actionable techniques you can try out for yourself.

If you've always found perspective to be challenging, this is a good straightforward book to demystify this subject for you. After you've learned the techniques, this book is still worth revisiting for the beautiful sketches included.

By the way, there are different publishers for this book. The book I have is published by Page One, the other publisher I know of is Barron's Educational Series. Content should be the same. The book's a 144-page paperback.

(See more pictures of the book on my blog. Just visit my Amazon profile for the link.)

2 of 2 people found the following review helpful.
Best book on perspective ever!
By june goh
Suitable for sketchers who love to do outdoor sketching and painting.
It is also an ideal 'textbook' for teaching perspective.
The concept is well explained with the aid of visual language, covers "seeing it", "understanding it" and "applying it".

1 of 1 people found the following review helpful.
Great book
By Kedoga
Out standing book on prespective. Excellent examples are given as well as diagrams to aid the person to draw the various types of perspectives. Would recommend this book to any one learning to draw a realistic view.

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Minggu, 09 Mei 2010

[C302.Ebook] Get Free Ebook Have Gun will Travel: The Spectacular Rise and Violent Fall of Death Row Records, by Ronin Ro

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Have Gun will Travel: The Spectacular Rise and Violent Fall of Death Row Records, by Ronin Ro

Death Row Records is one of the most successful music labels of all time.  From its inception in 1992, it exploded on the rap music scene with sales climbing to the $125 million mark in just four years.  Even more noticeable than the label's financial success is the effect it had on American youth culture, making gangsta rap more popular with suburban white youth and MTV viewers than traditional rock groups.  But under the guidance of six-foot-four-inch, 300-pound CEO Marion "Suge" Knight, Death Row also became the most controversial record label in history--a place where violence, gang feuds, threats, intimidation, and brushes with death were business as usual.

Have Gun Will Travel details the spectacular rise and violent fall of a music label that had at its heart a ferocious criminal enterprise cloaked behind corporate facades that gave it a guise of legitimacy.  With inside access no other writer can claim, Ronin Ro, the country's preeminent rap journalist, exposes the facts everyone else is afraid to divulge--from the initial bankrolling of Death Row by a leader of L.A.'s notorious Bloods gang, to links with New York's Genovese crime family.  Have Gun Will Travel lays bare the full story behind this influential label, including the still-unsolved murders of Tupac Shakur and the Notorious B.I.G., as well as Suge Knight's rise to power, his fight with East Coast rap titans such as Sean "Puffy" Combs, and his eventual imprisonment.

Although it has been all over the news--from The Wall Street Journal to Rolling Stone--this is a timeless story about an empire built on greed, corruption, murder, and exploitation.  With exclusive interviews and bloodcurdling eyewitness accounts, Have Gun Will Travel combines the behind-the-scenes fascination of books like Hit Men and Hit and Run with the violence and dramatic sweep of The Godfather, in a brilliant and blistering document of contemporary culture.


From the Hardcover edition.

  • Sales Rank: #1175091 in Books
  • Published on: 1999-03-16
  • Released on: 1999-03-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.10" h x 1.01" w x 5.50" l,
  • Binding: Paperback
  • 384 pages

Amazon.com Review
No one more epitomized the world of gangsta rap than Suge Knight, the often brutal CEO of Death Row Records. Author Ronin Ro shows courage in detailing the frightening means used by Knight to corner the market on the most hard-core of urban music. It's a tale that reads like it was written by the bastard offspring of Horatio Alger and Quentin Tarantino. Knight's forceful style and legal entanglements have been the stuff of legend for years. Most music reporters, coming face to face with the thugs who enforced the rules at Death Row, have been afraid to tell the story. With Knight safely behind bars and Death Row in disrepair, Ronin Ro finally has the chance to put this violent soap opera in print.

From Publishers Weekly
This story of the West Coast rap label Death Row Records and its head, Marion ("Suge") Knight, who brought the techniques of his violent L.A. gang, the Bloods, to his boardroom and terrified the industry, is pitiful and horrifying. Ro (Gangsta) reports the shocking tale of a man who began as a football player, doing a stint with the L.A. Rams, then became a bodyguard and, finally, with an infusion of drug money, according to Ro, in 1993 founded the record label that earned almost $400 million in four years and assembled a stable of stars like Dr. Dre and Snoop Doggy Dogg. Said to be run by gang members, Death Row pirated top performers from other labels, often substituting expensive gifts for royalty payments, and at length clashed with East Coast rappers. Ro also ventures into the unsolved murders of rappers Tupac Shakur and The Notorious B.I.G., with several conjectures. He makes a significant contribution to the history of pop music.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Music journalist and former rapper Ro provides an in-depth history of Death Row Records, one of the premier gangsta rap labels, with a spotlight on label mastermind Marion "Suge" Knight. He begins with the transformation of Knight from an introspective college football star, born into a stable lower-middle-class home, to a brash record-industry hopeful willing to gamble anything on success. In brief, sometimes gripping chapters, the author describes Knight's initial partnership with rap star Andre "Dr. Dre" Young, the formation of Death Row Records in 1991, Death Row's first mega-hit with Dr. Dre's "Chronic," and continued success with million-selling records by Snoop Doggy Dogg and Tupac Shakur. Throughout, he highlights the violent, intimidating, gang-influenced tactics of the label, which eventually led to an F.B.I. investigation, Knight's imprisonment, the murder of Tupac Shakur, and the demise of Death Row Records. This well-written, provocative account casts Death Row Records as a street-based outgrowth of a corrupt, hit-a-minute record industry and illuminates the dark side of the materialistic, get-what-you-can culture of the 1990s. Highly recommended for general readers and music fans.?David P. Szatmary, Univ. of Washington, Seattle
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Worth reading if you're a rap fan.
By Todd Martin
This book leaves me with a lot of mixed feelings. There is a lot of interesting insight into Death Row that you probably don't know. It connects the different 'eras' if you will of Death Row, from the Chronic to All Eyez on Me and does a fine job of putting Death Row in its place in the rap game. It flows easily and is a very interesting read. However, it is not without flaws. First, Ronin Ro tends to repeat things. He'll tell the same anecdotes multiple times in the book, which really comes across as amateurish. Moreover, I think a lot of people are buying this to read more about 'Pac. I know that was a large part of my motivation. However, that is not a good reason to get this unless you're interested in the bigger picture. Ro paints a very unflattering picture of 2Pac (and just about everyone on Death Row in one form or another except Dre). And, if you want to hear the cricisms of the man, "Rebel For the Hell of it" is more direct on 'Pac. The strongest part of the book, however, is the looks into how Suge built his business which is really interesting. No one else would say all this about Suge, and I'm betting Ro will be moving to another country by the time Suge is set free. If you're a rap fan, get this book. If you're not, or you're more into just 2Pac, you might want to think a bit about it, although I think most anyone would enjoy this.

7 of 7 people found the following review helpful.
Hit Men Meets The Godfather. The Result is Terrifying
By A Customer
Have Gun Will Travel: The Spectacular Rise and Violent Fall of Death Row Records-Ronin Ro. Ronin Ro is a bold, bold man. I say this because he had the courage to write a book, a rather unflattering one at that, about Marion "Suge" Knight, the former Los Angeles Ram and towering CEO of Death Row Records.
Have Gun, Will Travel chronicles the entry into the music business of a man with no real musical talent. No songwriting or singing skills to speak of. His greatest assets were sheer will and brute force, which he used in abundance, especially when it came to "claiming" artists from the rosters of other labels. Suge envisioned Death Row as a Motown of the '90s, and he apparently carried that wish out to the letter, down to ripping artists out of their royalties. But Death Row was never really about music. It was about power, and a way to legitimize his street thug life. Every story you've ever heard about him, from threatening to throw Vanilla Ice off a balcony to the growing feud between East Coast and West Coast rappers, is contained here, along with a few I never heard before. The book portrays Tupac Shakur as a melodramatic jerk, Sean "Puffy" Combs as a poseur who came from money but was otherwise harmless, and Biggie Smalls as, well, exactly what he seems, a crack dealer who also sold lots of rap records. The theories contained surrounding the hits on both Shakur and Smalls would send even Oliver Stone's head spinning.
The book is not very well written: It reads as if it was written in installments for a magazine and then compiled, rather haphazardly, for a book. But the story is equal parts fascinating and terrifying. Assuming half of it is true, that is: There seems to be a rebuttal to nearly every story printed. Whether that was done in the interest of unbiased reporting or Mr. Ro covering his butt, is unclear. But I would certainly understand him doing it for the latter reason. Knight is currently serving an eight year sentence for violation of his parole, and I wouldn't be surprised if the people brave enough to be honest about Knight in this book started disappearing upon his imminent release. Like the book Hit Men with much more Godfather mixed in, Have Gun Will Travel is a cautionary tale of what a little power will do to an already powerful person. It also made me grateful of two things: One, that I'm not a rapper; Two, that I will likely never meet Suge Knight. This man scares me. ***

1 of 1 people found the following review helpful.
Good effort but info not correct at times and unstructured
By A Customer
Ronin Ro picked an interesting subject to write about. There has been so much weird sh*t going down at the Deathrow Camp for the past few years. The book is for the most part chronological and details how Deathrow started by "stealing" artists and producers from other labels like Ruthless Records. For the most part the stories told in the book are amusing and interesting and the book is fun to read if you are into hiphop and want to know more about the East/West war and the Tupac/Biggie feud.
However, there are many simple details that are incorrect and this makes me wonder how many of the spectacular events portrayed in the book are true. For instance, Ronin writes that Mobb Deep did a song called LA LA, which is incorrect. There are other annoying details in the book and it seems that Ronin usually got his info from one source only without double checking the facts with a second source. The structure of the book is also disappointing, several facts and stories are repeated and sometimes don't even match. The book is OK but could have been good if Ronin would have cleaned up his facts, structured the writing and cut about 100 pages. If you read magz like Vibe, the Source are into Hip-Hop you will not find anything new in this book. Strictly for non hip hoppers and light weights who listen to Will Smith and Salt'n'Pepa type stuff . . . Now when will we get the REAL behind the scene details, told by someone who was on the inside???

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Sabtu, 08 Mei 2010

[R327.Ebook] Download Ebook Car Guys vs. Bean Counters: The Battle for the Soul of American Business, by Bob Lutz

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Car Guys vs. Bean Counters: The Battle for the Soul of American Business, by Bob Lutz

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Car Guys vs. Bean Counters: The Battle for the Soul of American Business, by Bob Lutz

“One of the most acute books about management and how com­panies work in practice that I have read in a long time. If anyone wants to know exactly how the U.S. auto industry got into trou­ble, here is your guide.”
—John Gapper, FINANCIAL TIMES
 
When Bob Lutz got into the auto business in the early 1960s, CEOs knew that if you captured the public’s imagination with innovative car design and top-quality crafts­manship, the money would follow. The “car guys” held sway, and GM dominated with bold, creative leadership and iconic brands like Cadillac, Buick, Pontiac, Oldsmobile, GMC, and Chevrolet.
 
But then GM’s leadership began to put its faith in numbers and spreadsheets. Determined to eliminate the “waste” and “personality worship” of the bygone creative leaders, management got too smart for its own good. With the bean counters firmly in charge, carmakers, and much of American industry, lost their single-minded focus on product excellence and their competitive advantage. Decline soon followed.
 
In 2001, General Motors hired Lutz out of retirement with a mandate to save the company by making great cars again. As vice chairman, he launched a war against the penny-pinching number crunchers who ran the company by the bottom line and reinstated a focus on creativity, design, and cars and trucks that would satisfy GM’s customers.
 
Lutz’s commonsense lessons, combined with a generous helping of fascinating anecdotes, will inspire readers in any industry.

  • Sales Rank: #66992 in Books
  • Brand: Brand: Portfolio Trade
  • Published on: 2013-05-28
  • Released on: 2013-05-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.96" h x .68" w x 5.31" l, .50 pounds
  • Binding: Paperback
  • 272 pages
Features
  • Used Book in Good Condition

Review
“This book should be required reading for every young person who seeks a business degree. That applies equally to the current management of GM.”

—David E. Davis, Jr., former editor and publisher of Car and Driver

“This is exactly what you’d expect from Bob Lutz: no holds barred, no punches pulled, and no stone left unturned. It’s a true insider’s perspective and a great read.”

—Stephen J. Girsky, vice chairman of General Motors

“Car Guys vs. Bean Counters is the best book written by an auto industry insider since Iacocca in 1984, and deserves to be shelved alongside Alfred P. Sloan’s management classic, My Years with General Motors.”

—Fortune

About the Author
BOB LUTZ held senior leadership positions at Gm, ford, Chrysler, and BMW over the course of an unparalleled forty-seven-year career, culminating in his vice chairmanship of General motors from 2001 to 2010. He is the bestselling author of Guts: 8 Laws of Business from One of the Most Innovative Business Leaders of Our Time.

Most helpful customer reviews

99 of 106 people found the following review helpful.
'Maximum' Bob Lutz At Maximum Velocity
By Paul Cassel
`Maximum' Bob Lutz is the last of the legendary `car guys' in the US automotive business. Car guys are those who work in the auto business because they like cars as opposed to the `bean counters' who work in the car business but treat the product as just another widget.

Car guys are those who work at GM or Ford or Chrysler during the day and then at night, work on their cars as a hobby. On weekends, they would race them. During their free time, they would talk cars with other car guys. That's what built GM and Detroit in general. What has almost destroyed it has been the rise of the bean counter to positions of dominance in the domestic car industry. Bean counters focus on financial manipulation over product excellence. Maximum Bob, in this book, documents what went wrong and how to address it - not only in the auto industry but in American industry in general which has all too often been led down the same path to doom as the car industry.

The book is partly a biography covering a very short portion of Lutz's life - his second stint at GM - which recently ended after about a decade. This time around, he tried, with some notable success, to repair the damage he foresaw coming and which caused him to resign from GM many years before. It's more than a biography, however. It is also a diagnosis of what went wrong with the US car industry and US industry in general. Being Maximum Bob, he generally doesn't hold back his often controversial opinions being a person who'd rather speak out and found to be wrong than keep quiet.

The book delivers some surprises as well as details of behind the scenes activities, which, from time to time hit the mainstream news. The short book contains no filler. It's all solid opinion from Lutz including his observations and analysis of what's needed to fully restore US industry in general and the car business specifically.

Except for solid swipes at media both on the left such, as the environmentalists writing in the New York Times, or the right such as Rush Limbaugh, Lutz explains that much of the problem faced by industry is structural. Somewhat to my surprise, he explains that the union management is often caught in the same structural web as management and thus can't alter its course even if it's obvious it must do so. Of course, a good deal of this changed with the recent bankruptcies of GM and Chrysler. It'll be interesting if GM's management and the UAW can continue to forge ahead or if they'll slip back into the mediocrity which they'd sunken into by the turn of the century.

Lutz also takes a few swipes at Ford implying the company is riding a wave of luck and good press. He is remarkably light on his comments about the government 'takeover' or Steve Rattner's group. I suppose one doesn't bite the hand which has pulled one from the quicksand no matter how noxious that hand is. In a few places he seems to pull a punch or two but he also defends some folks who were unjustly vilified and explains why they were really blameless for the general catastrophe which hit GM and, for different reasons, Chrysler.

In sum, this is must read for those who have even a casual interest in cars or the car business. It is also a must read for those who have an interest in reviving American industry in general or who have heard of Lutz and wish a look into his mind. It is not a thorough autobiography of Maximum Bob's life and times, however, because it only covers a few years of his rather storied career. It's a good solid interesting read for anybody who has even a casual interest in a man generally regarded as an industrial genius.

In the end, it's a heck of a read penned by an industrial legend. We could sure use a few more Bob Lutz's in the US.

27 of 27 people found the following review helpful.
How America lost excellence -- and got beans instead
By Theodore A. Rushton
Absolutely marvelous; anyone who reads this will understand the enervating hubris that is destroying business, education and government in America and much of the rest of the world.

First though, to set this book and Lutz in context, a quote from midway through the book: "I know I'm full of crap a lot of the time, but that comes with the territory.

"Your job is to provide me with honest feedback," Lutz writes. If read with this caveat in mind, this book offers enough insight to rescue almost any failing industry without government bailouts. In my career as a reporter, I've seen enough once excellent newspapers go down the drain because publishers refused to understand Lutz's observations, insight and remedies.

He's a "product man," which means a commitment to quality products instead of profits, prestige or paper pushing. Lutz is infuriated by "bean counters" who see value only in profits; as such, it is an eloquent 'cri de coeur' rather than a balanced analysis of business management.

That said, few if any can't benefit from his basic insights into the over-confidence, hubris and arrogance that is making America into a third world society. Federal debt crisis? If Lutz's approach was applied to government and industry, the debate would center on how to use the surplus instead of crying about the deficits produced by dumb attitudes.

The current assumption is that America is great simply by being America; Lutz argues superiority is based on a never-ending search for improvement and innovation rather than complacency. My experience is that America is better than its political or business satraps; if leaders can pick the wisdom from rants such as Lutz, no country can do better.

88 of 107 people found the following review helpful.
Far Too Many Excuses, Some Good Material As Well
By Loyd Eskildson
Lutz' book is about what happened to America's competitiveness, and why, per an outspoken personality with a 47-year stellar career in the business. The title gives Lutz' perspective away. His focus is the automobile industry, but the logic extends to much of our formerly dominant manufacturing sector. Generally his comments make good sense, though not always. Example - his major point would be more accurate if expressed as 'excessive focus on short-term profits. On the other hand, Lutz is not likely to apologize anytime soon for imperfect decision-making - he's more into improving things - right now, and being right more often than wrong.

Lutz is not afraid to name names. His first target is America's handling of the original oil crises - with increased CAFE requirements, instead of raising the gas tax. The unintended result, per Lutz, is that Japanese manufacturers did not have to do anything to meet the new requirements, while American firms incurred high expenditures. Japan also benefited from U.S. desire to keep it within its sphere of foreign policy influence - thus, we did little or nothing about the 'yen' exchange-rate being set too low. (Sound familiar to today and problems with China?) Continuing, Lutz complains that negotiated 'voluntary trade restraints (early to mid-1980s) did NOT result in American manufacturers simply raising prices rather than using the breather to improve costs and quality. However, Lutz' defense of American automakers (they were shifting to the new demand for pickups) lacks credibility because our manufacturers pushed that strategy as a means of avoiding both Japanese competition and stringent CAFE restraints. Similarly, Lutz criticizes those linking global warming to the auto industry, but does a poor job making his case.

Continuing, Lutz brings out the Big Three's problems with excess health care costs, and also admits that prior to signing the disastrous 1990 contract, G.M.'s forecasters had erroneously determined that health care costs had already peaked, and that increased gains in volume and efficiency would offset projected retiree care costs. Lutz also rakes G.M. for over-expanding plants and hiring (the latter by about 40,000), then acerbating the situation by also accepting the 'Job Bank' concept (full pay for idle workers - the UAW saw this as a means of keeping jobs in America). Lutz believes UAW leaders understood the situation was not economically sustainable, but unfortunately its members were overly-optimistic about the invincibility of the U.S. and its workers.

Many of G.M.'s problems had nothing to do with labor. Quality miscues occurred because we tried converting engines designed for gas power to diesel power - without requisite strengthening of components. The 4-6-8 cylinder design failed, per Lutz, because of inadequate electronics at the time - a euphemism for design and testing blunders. Buying foreign brands generally failed because of a lack of common components and overhead cost sharing; conversely, the Cadillac Cimarron etc. failed because of excessive commonality. Saturn's isolation, and being limited to a single line, saddled that line with excess overheads. Excessive automation increased both support labor and Job Bank costs. Meanwhile, stifling bureaucracy grew like cancer - sopping up expenditures and monopolizing management time. (Thanks should also be given to management professors of the time - idolizing complex structures - eg. Matrix Management, whole-job tasks - eg. Volvo, that added to the problems.) Saab and Subaru acquisitions did not fit into the G.M. product line, and potential savings from commonality of parts were not pursued.

NUMMI (New United Motor Manufacturing a joint-venture between Toyota and G.M. - reopening a previously closed, troublesome G.M. plant from 1984 to 2010, with the same staffers, building identical Corollas and Chevrolet Prizms, should have provided G.M. with hands-on experience for rising above its problems, but did not. Toyota brought the opportunity to G.M. to learn hands-on about its vaunted and revolutionary Toyota Production system - including the way Toyota approaches relationships with workers, its systems for goal-setting, plant and process layouts, job classification system, inventory and quality control, product-line flexibility, etc. Eventually G.M. pulled out of the partnership, along with the opportunities to learn. Lutz' accounting of this missed opportunity fails to recognize this as a major, major, major G.M. management blunder that Lutz apparently participated in. (Consumer Reports at the time noted that buyers paid a premium for the Corollas vs. the Prizms - based on their different overall quality reputations; Lutz simply whines that buyers were biased towards Japanese cars.)

G.M. did hit some good notes, thankfully. Its success in China with Buick (something Lutz doubted at first) helped revise G.M. today in the U.S. And Lutz helped bring simplification of organizational structure and goals - quickly noting, for example that when he first came to G.M. the chief of design had very limited impact on design processes and selection, and that enormous time and effort was wasted in detailed planning - the assumptions of which never occurred. Then there were the useless arguments over transfer pricing. G.M.'s eventually learned there were cost variations of as much as 3X in purchasing identical components for different car programs.

Readers curious about Lutz' vision of the ideal car company management style can probably conclude that Ferdinand Piech, Chairman of VW's Supervisory Board, represents that leader. Piech, per Lutz, pushed advanced technology, made design decisions, and was overflowing with self-confidence. Hmmm - guess who that sounds like, formerly at G.M. and Chrysler? (Piech was not infallible - eg. the $100,000 VW Phaeton was a major flop.) (Lutz' support for autocratic manufacturing bosses is also an interesting indirect endorsement of China's anti-democratic government, and a condemnation of America's bureaucratic, ineffectual government.)

Lutz notes with disappointment that the improved culture of customer focus and product excellence he helped bring to Chrysler didn't 'stick' after the Mercedes takeover. The 'good new' is that he's much more optimistic about that happening at G.M. (A 3/15/11 WSJ article covering on-going bureaucratic problems within G.M. suggests Lutz' optimism is ill-founded.) The 'really bad news,'however, is that Lutz' material contains far too many ignorant, whiny, excuses for our failures, instead of learning from them. And that is the real cause of not just America's manufacturing, but also its economic, and world leadership declines.

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